By Aristophanes; S. Douglas Olson (ed.)
Aristophanes' Acharnians used to be played on the Lenaia pageant in Athens in 425 BCE. The play is the tale of an previous peasant farmer, Dikaiopolis, who has grown so disgusted with the Peloponnesian battle and the patent self-serving of the city's best politicians (abetted by way of the stupidity of his fellow-citizens) that he concludes a separate peace with the enemy. therefore, he profits entry to a huge offer of amazing issues, together with wine, eels, thrushes, and 2 attractive and compliant ladies. even if he's a traitor and a villain, or just the cleverest and such a lot bold guy within the urban, is an issue of in depth debate in the play. Acharnians itself, at any expense, took first position and is mostly considered as certainly one of Aristophanes' or 3 so much extraordinary surviving comedies. Olson bargains the 1st whole new scholarly variation of the play in nearly a century. The textual content and equipment are in response to a clean exam of the papyri and manuscripts, a lot of that have by no means been studied systematically, and are supported via a brand new manuscript stemma. The advent includes sections at the poet himself; the historic surroundings and political argument of the play; the mythological and literary history; department of elements, costumes, and props; staging; using dialects; and the heritage of the textual content. The observation covers a variety of literary, historic, and philological matters, with specific realization to staging and info of lifestyle. All Greek within the creation and observation now not mentioned for technical purposes is translated, making a lot of the version obtainable to common scholarly readers.
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Additional resources for Aristophanes: Acharnians (Text and Commentary)
Telephos pll. 55, 59-63); a few scholia containing scattered bits and pieces of information; ten fragments of the Telephos of the Latin poet Ennius and fifteen fragments of a play by the same title 11 Cf. Csapo, QVCC 34(1990) 4*~5* " N o positive evidence connect» Sophocles* lost Assembly of the Achaians (frr. 142-8) with the story of Telephos. In addition to the play by Euripides discussed subsequently, other tragedies entitled Telephos were written by lophon (TrGF 22 F 2c (title only)), Agathon (TrGF 30 F 4 (a single fragment in which an illiterate man works out the name 'Theseus*)), Kleophon (TrGF 77 F 11 (title only)), and Moschion (TrGFgy F 2 (a single fragment containing a complaint addressed to the goddess Fate)).
377-82, 497-503). Indeed, there can be little doubt that the conflict with Kleon 'belongs1 much more to the playwright than to his hero, whose quarrels are with Lamachos. So too Dikaiopolis' insistence as he begins his version of Telephos' great speech of concealed MYTHOLOGICAL AND LITERARY BACKGROUND Ιχί self-justification that 4comedy also knows what is right' seems patently designed to correct what is at least presented as a general perception that it knows no such thing and has no more right to make negative comments on the state of public affairs than a beg gar has to interrogate the first men in the city.
652-4). For that to happen, they must acknowledge that he is a good citizen—perhaps even the best of citizens—and work to correct the harm that has been done him in the past, secure in the knowledge that, by doing so, they will be serving their own best interests as well. D. Herakles Although Dikaiopolis plays Telephos in the first half of Acharnians, at the end of the play the part is taken over by La machos, who is wounded in the leg (1177, 1179, 1214) by what his Servant describes as a vine-stake (1178) and the general himself refers to as an enemy weapon (1192/3, 1226).
Aristophanes: Acharnians (Text and Commentary) by Aristophanes; S. Douglas Olson (ed.)